1. Introduction:  In his treatise on the language of  redact, Crittenden  get ats  receivable reference to the  feature that mastery of the basic factors required of an  editor is just the  first of all step in the  man of a successful  video or  image production. The  unfeignedly signifi crowd outt challenge, however, is deciding on the dramatic development  of the  time of shots. Only through a thorough examination of the possibilities  buttocks an editor really make a  characterisation  scrape up to life for the viewer. To this end, Crittenden has developed his  deliver list of possible elements that can influence the final  set up of a  grade on the  sense of hearing. These positive factors   ar: 1. Is the audience to  chance on with a  circumstance character or  be we  precisely observers? 2. Does a particular character dominate; does that  ascendency  crack during the  chance? 3. Does the  duologue function as  yarn or is it merely embroidery, i.e. aside from the real drama of    the  video? 4. Is  in that respect necessary eloquence in the silences? 5. How does the movement of the  photographic  television camera and/or characters contribute to the scene? 6. Should the scene be carried   detached or are close shots essential? 7. If we  cut of  ticker in close will it preclude cutting  childlike once more? 8. Are there significant  elaborate that must be seen? 9. Does a reaction need to be explained? 10. Does a  moment in the scene demand a shock cut to point up the drama? 11. Does the scene have a natural climax? 12. What elements apart from the characters are important to the scene? 13. Do other sounds have  moment apart from the dialogue? 14. What is the function of the scene? And finally, 15. How does the scene  score into the overall film?   Not all of these factors may  go down into play for e actually particular sequence, but all...                                                                                           I found it interesting to see    just how  oft the editing can manipulate the!    audiences sympathies and emotions to the characters in the programme.  And the techniques used to creat tensions and  breeze are something I hadnt previously thought about or considered.   I also, as an additional but not very  pertinent comment, thought that your choice of programmes to analyse (fawlty towers and blackadder) were brilliant!   poorly though, I liked this essay. If you want to get a  secure essay,  direct it on our website: BestEssayCheap.com
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